Sound Color in the Music of Gyorgy Kurtag

The music of Gy?rgy Kurt?g is analyzed from the point of view of sound color. A brief description of what is understood by the term sound color, and various ways of achieving specific coloristic effects, are presented in the Introduction. An examination of Kurt?g's approaches to the domain of sound color occupies the chapters that follow. Rather than relying on extended instrumental techniques, Kurt?g creates a large variety of sound colors using traditional means such as pitch material, register, density, rhythm, timbral combinations, dynamics, texture, spatial displacement of the instruments, and the overall musical context. Each sound color unit in Kurt?g's music is a separate entity, conceived as a complete microcosm. Sound color units can either be juxtaposed as contrasting elements, forming sound color variations, or superimposed, often resulting in a Klangfarbenmelodie effect. Some of the same gestural figures (objets trouv?s) appear in different compositions, but with significant coloristic modifications. Thus, the principle of sound color variations is not only a strong organizational tool, but also a characteristic stylistic feature of the music of Gy?rgy Kurt?g.

Author: Igor Iachimciuc

Publisher: LAP Lambert Academic Publishing

Publication Date: Mar 20, 2012

Number of Pages: 92 pages

Binding: Paperback or Softback

ISBN-10: 3848420759

ISBN-13: 9783848420759